Sanity Is Relative: Melissa Broder on Elaine Kraf’s The Princess of 72nd Street
“The Princess of 72nd Street” is not your typical coming-of-age story. It’s a raw, unflinching portrayal of a young woman grappling with mental illness and the complexities of family, sexuality, and self-discovery. Elaine Kraf’s debut novel, written with unflinching honesty and a darkly comedic edge, feels like a breath of fresh air in a world often afraid to confront the messy realities of human experience.
Melissa Broder, author of “The Pisces” and “Milk Fed,” who has been praised for her own explorations of the darker corners of the human psyche, dives deep into Kraf’s world in a recent interview.
“I loved the way Kraf explores the liminal space between sanity and madness,” Broder says. “The protagonist, Esther, is not simply a girl with mental illness, she is a girl whose reality is profoundly shaped by her illness. It’s not about fitting neatly into diagnostic boxes, but about the experience of living with a mind that doesn’t always function in a ‘normal’ way.”
Broder notes that “The Princess of 72nd Street” avoids the pitfalls of romanticizing mental illness. Instead, Kraf presents a unflinching portrayal of its complexities, the struggles, the triumphs, and the sometimes contradictory nature of navigating life with a troubled mind.
“There’s a darkness to the book, but it’s also incredibly funny,” Broder observes. “Kraf has a knack for finding humor in the most unexpected places, even in the depths of Esther’s despair. This duality adds depth and complexity to the story, making it both relatable and strangely uplifting.”
The novel’s unconventional structure, with chapters jumping between past and present, also adds to its raw, visceral feel. This nonlinear narrative mirrors the fragmented nature of Esther’s experience, further blurring the lines between reality and delusion.
Broder concludes by praising Kraf’s ability to capture the internal world of her protagonist with remarkable authenticity. “You feel Esther’s pain, her confusion, her anger, and her desperate need for connection. It’s a testament to Kraf’s talent as a writer that she can create such a compelling and deeply human character, even one who is so profoundly different from the ‘norm.'”
In a world often obsessed with presenting a polished and perfect facade, “The Princess of 72nd Street” stands out as a refreshingly honest and raw portrayal of the human condition. It challenges us to confront the uncomfortable truths about ourselves and those around us, reminding us that sanity is relative, and often lies in the messy, imperfect spaces where we choose to embrace the fullness of our own experiences.